40 Nego Bom 1 Real [40 Black Candies for 1 Real]

2013
Jonathas de Andrade, 40 Nego Bom 1 Real [40 Black Candies for 1 Real], 2013. installation composed of risograph prints, laser prints, pantograph prints on plexiglass, pantograph prints on plexiglass, serigraphies on plywood, serigraphies on plywood, and serigraphies on plywood. each 20 × 20 cm (40 risograph prints), each 15 × 15 cm (80 laser prints), each 65 × 17.5 cm (4 pantograph prints on plexiglass), each 30 × 30 cm (3 pantograph prints on plexiglass), each 31 × 31 × 3 cm (10 serigraphies on plywood), each 66.5 × 66.5 × 3 cm (3 serigraphies on plywood), each 132 × 66.5 × 3 cm (2 serigraphies on plywood). Courtesy of the artist and Galeria Vermelho. SeMA Biennale Mediacity 2016 NERIRI KIRURU HARARA. Seoul Museum of Art. 2016. Photo: Gim Ik Hyun, Hong Cheolki
Jonathas de Andrade, 40 Nego Bom 1 Real [40 Black Candies for 1 Real], 2013. installation composed of risograph prints, laser prints, pantograph prints on plexiglass, pantograph prints on plexiglass, serigraphies on plywood, serigraphies on plywood, and serigraphies on plywood. each 20 × 20 cm (40 risograph prints), each 15 × 15 cm (80 laser prints), each 65 × 17.5 cm (4 pantograph prints on plexiglass), each 30 × 30 cm (3 pantograph prints on plexiglass), each 31 × 31 × 3 cm (10 serigraphies on plywood), each 66.5 × 66.5 × 3 cm (3 serigraphies on plywood), each 132 × 66.5 × 3 cm (2 serigraphies on plywood). Courtesy of the artist and Galeria Vermelho
Jonathas de Andrade, 40 Nego Bom 1 Real [40 Black Candies for 1 Real], 2013. installation composed of risograph prints, laser prints, pantograph prints on plexiglass, pantograph prints on plexiglass, serigraphies on plywood, serigraphies on plywood, and serigraphies on plywood. each 20 × 20 cm (40 risograph prints), each 15 × 15 cm (80 laser prints), each 65 × 17.5 cm (4 pantograph prints on plexiglass), each 30 × 30 cm (3 pantograph prints on plexiglass), each 31 × 31 × 3 cm (10 serigraphies on plywood), each 66.5 × 66.5 × 3 cm (3 serigraphies on plywood), each 132 × 66.5 × 3 cm (2 serigraphies on plywood). Courtesy of the artist and Galeria Vermelho. SeMA Biennale Mediacity 2016 NERIRI KIRURU HARARA. Seoul Museum of Art. 2016. Photo: Gim Ik Hyun, Hong Cheolki

In 40 Nego Bom 1 Real [40 Black Candies for 1 Real], 142 pieces of text and images, which are laid out across a wall spanning about 15 meters long, can be viewed in two parts. The first part shows the process of making Nego Bom candies, the banana-flavored candy popular in Northeastern Brazil, through pictures and a detailed recipe. The second part consists of a wage calculation chart, which also contains information on the particular characteristics of forty individual workers, including job descriptions, relationship on the job site, and even personal details. However, the workers’ wages are not simply calculated in numbers according to volume of work; rather they are calculated to reflect each worker’s relationship to the employer and other individual particularities. Delving more deeply into issues such as postcolonialism, post slavery, and cheap labour, the artist uncovers the hidden dark side of Brazilian culture, which is the mixed product of colonizers, slaves, and indigenous peoples.

For the title of the work, the artist has chosen “40 Black Candies for 1 Real,” which is a phrase commonly shouted by market vendors selling Nego Bom candy. In Portuguese, Nego Bom literally means “good black,” and “nego” (for male), or “nega” (for female), is a friendly way of calling each other. However, linguistically these words also have historical, colonial, and racist connotations.

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