For several years I have been dealing with the question: How do you survive “today”? Is there a future at all? Although an answer to this question is given every day, every moment - and ideally even an obvious answer - the question itself can never be eliminated in principle. It becomes particularly pressing when the language in which it is expressed is not subject to any alterations anymore and when the words remain the same despite the changing of circumstances. To me the medium of painting serves as a model for this matter. Delving into the future meaning of a certain phrase means investigating its roots. And the problem of the possibility of its daily applicability can render the issue of the medium and technical obsolescence an absurdity. To what extent such a shift becomes apparent and to what extent it may be the result of “personal perception” cannot and may not be concluded.
