Un-drum 3: The Semantic Scanning Electron Microscope

2010
Tarek Atoui, Un-drum 3: The Semantic Scanning Electron Microscope, 2010. sound performance. Production supported by the Shrajah Art Foundation, Sharjah; Darat al Funun, Amman; La Maison Rouge, Paris. Courtesy of the artist. The 6th Seoul International Media Art Biennale Media City Seoul 2010 Trust. Seoul Museum of Art, 2010. Photo courtesy of Sumitomo Fumihiko
Tarek Atoui, Un-drum 3: The Semantic Scanning Electron Microscope, 2010. sound performance. Production supported by the Shrajah Art Foundation, Sharjah; Darat al Funun, Amman; La Maison Rouge, Paris. Courtesy of the artist. The 6th Seoul International Media Art Biennale Media City Seoul 2010 Trust. Seoul Museum of Art, 2010

Un-drum is a complex interaction between music composition, body movement, performance, and computer and electronic engineering. It is a series of intense physical sound performances that Tarek Atoui started in 2009.

For Un-drum 3: The Semantic Scanning Electron Microscope, Atoui has developed an audio library of tens of thousands of microsamples to explore semantics through a system analogous to a scanning electron microscope (SEM). Like a SEM, which magnifies things on a fine scale, the tools of Un-drum 3 allow live exploration of long audio tracks at a very small scale. Through a system of pressure sensors that engage the physical strength of the artist’s body, Atoui scans tracks at a high speed to instantly select and edit microsamples based on the Fast Fourier Transform analysis technique. FFT is a complex sound analysis protocol that determines the spectrum of a sound, its constituting frequencies, and their density according to the law of Fourier. Systems of infrared modules respond to Atoui’s movements.

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